Teaching and Mentoring

Creative Practice for Contemporary Dance

This workshop examines choreography as a continuum of actions, tactics and personal values that can be shared and developed by both makers and performers. 

Participants compose and perform each day, working quickly and intuitively to produce studies that are shared with the group to stimulate artistic growth and dialogue. Compositional processes derived from cinema, music, architecture, literature, visual art, theatre, physics, sport, biology and other fields become part of an evolving toolbox.

We touch on such themes as editing and distillation, adaptation and remix, working with found materials, making scores, composing with objects, space as poetry, aspects of counterpoint, shaping anticipation, collaboration and directing, expanded definitions of virtuosity, and mapping and navigating form.

Choreography Across Disciplines

Developed in partnership with Ame Henderson for the Banff Centre, this is a workshop for experienced professionals working in disciplines other than dance who are leaning towards choreographic ideas, and for dance practitioners investigating choreography in dialogue with other art forms. 

The goal of the workshop is to explore how choreographic thinking - spatial, temporal and sensory - can enhance a diverse range of artistic practices. Teaching is grounded in embodied research and knowledge sharing framed by encounters with a range of somatic and formal approaches including working with scores and improvisation structures. Physical activities are supported by open discussion, writing and dialogic walks.

Past participants in this workshop have included visual artists, performance artists, writers, theatre practitioners, architects, musicians and filmmakers.

Contemporary Dance Movement Technique

My teaching grows from a life-long curiosity about movement and the body, and my love of daily practice. It acknowledges the paradox of reconsidering accumulated knowledge each day while finding the perfect balance of planning and being in the moment. My classes focus on dynamic alignment and coordination, full-body engagement, the development of usable strength and articulation, musical sensitivity, and the joys of specificity. 

I have taught technique at many schools and studios across Canada including The School of Toronto Dance Theatre, the National Ballet School, the School of Contemporary Dancers (Winnipeg), and Simon Fraser University and as a guest at Jacob's Pillow, the Juilliard School, Arts Umbrella (Vancouver), Montréal Danse, and in master classes on tour across Canada from coast to coast, in the USA, and abroad.

The Body in Question: Dancing in the Moment

A workshop in curiosity-based dancing and choreographic-thinking-as-performance.  

We start from where we are each day, keeping a light touch as we tune to the senses of the body/mind and embrace the creative potential of the unexpected. This playful workshop is based on tools and tactics emerging from almost two decades of experience with the radical work of Deborah Hay and from my own choreographic research. 

Areas of focus include:

  • Seeing where we are in each passing moment

  • Freeing ourselves from hesitation 

  • Inviting being seen in practice 

  • Trusting the body as teacher 

  • Embracing optimism

  • Opening the visual field   

  • Diving into paradox

  • Noticing the unicorn in the room

Coaching, Mentoring and Dramaturgy

please contact me at christopherhouse@mac.com